{"id":5450,"date":"2019-12-19T07:11:51","date_gmt":"2019-12-19T07:11:51","guid":{"rendered":"https:\/\/andrewdoran.uk\/blog\/?p=5450"},"modified":"2019-12-19T07:11:56","modified_gmt":"2019-12-19T07:11:56","slug":"the-best-album-ive-heard-this-year","status":"publish","type":"post","link":"https:\/\/andrewdoran.uk\/blog\/2019\/12\/19\/the-best-album-ive-heard-this-year\/","title":{"rendered":"The best album I\u2019ve heard this year"},"content":{"rendered":"<div class='e-content'><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-5449\" src=\"https:\/\/andrewdoran.uk\/blog\/wp-content\/uploads\/2019\/12\/8C518E0C-D040-49AF-8610-9520946DCCFD.jpeg\" width=\"800\" height=\"800\" srcset=\"https:\/\/andrewdoran.uk\/blog\/wp-content\/uploads\/2019\/12\/8C518E0C-D040-49AF-8610-9520946DCCFD.jpeg 800w, https:\/\/andrewdoran.uk\/blog\/wp-content\/uploads\/2019\/12\/8C518E0C-D040-49AF-8610-9520946DCCFD-300x300.jpeg 300w, https:\/\/andrewdoran.uk\/blog\/wp-content\/uploads\/2019\/12\/8C518E0C-D040-49AF-8610-9520946DCCFD-150x150.jpeg 150w, https:\/\/andrewdoran.uk\/blog\/wp-content\/uploads\/2019\/12\/8C518E0C-D040-49AF-8610-9520946DCCFD-768x768.jpeg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><strong><em>Warning: The songs in this blog post contain a significant amount of swearing and other adult material. It\u2019s best not to play them out loud if there are little ears around.<\/em><\/strong><\/p>\n<p>I first heard <a title=\"Marika Hackman\" href=\"http:\/\/marikahackman.com\">Marika Hackman<\/a> in early 2019 through <a title=\"Spotify: Andrew Doran \u2014 Discover Weekly\" href=\"https:\/\/open.spotify.com\/user\/spotify\/playlist\/37i9dQZEVXcChNVADJEwgT?si=Dk6DKY1STVGAWHa9pLCI3Q\">my Spotify <em>Discover Weekly<\/em> playlist<\/a>. I tend to stick <em>Discover Weekly<\/em> on in the background as I commute to and from work on the train. The playlist has been consistently excellent at introducing me to new music. As my brain is unfamiliar with the songs, it stops me from getting distracted \u2014 if I don\u2019t know what comes next I find I can concentrate more. Occasionally, a song will break through into the foreground of my consciousness for a bit; I tend to \u2018like\u2019 them to explore them later, and then carry on with my work.<\/p>\n<p>Marika Hackman\u2019s <em><a title=\"YouTube: Marika Hackman \u2014 Time\u2019s Been Reckless\" href=\"https:\/\/youtu.be\/GSQlIr7povI\">Time\u2019s Been Reckless<\/a><\/em> was a different beast. It demanded to be listened to and made me completely stop what I was doing in order to pay attention. After a couple of plays of the album that this song came from, 2017\u2019s <em><a title=\"Bandcamp: Marika Hackman \u2014 I\u2019m Not Your Man\" href=\"https:\/\/marikahackman.bandcamp.com\/album\/im-not-your-man\">I\u2019m Not Your Man<\/a><\/em>, I found myself becoming obsessed. It\u2019s very rare for me to go back and start an album again as soon as it finished, but for weeks I just didn\u2019t want to listen to anything else.<\/p>\n<p>When I heard that Marika had new music coming out in 2019 <a href=\"https:\/\/andrewdoran.uk\/blog\/2019\/06\/14\/5098\/\">I felt as though I had found her at just the right time<\/a>. But how could the new album be anywhere near as good as <em>I\u2019m Not Your Man<\/em>? The first single, <em><a title=\"YouTube: Marika Hackman \u2014 I\u2019m Not Where You Are\" href=\"https:\/\/youtu.be\/PbTZ_YbIoQQ\">I\u2019m Not Where You Are<\/a><\/em>, was very catchy but more electronic and poppy than what I had fallen in love with. I played it a few times, enjoyed it, but was worried that I wasn\u2019t going to like the new stuff as much.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/PbTZ_YbIoQQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>A little while later, <em><a title=\"YouTube: Marika Hackman \u2014 The One\" href=\"https:\/\/youtu.be\/MguqCajpVm0\">The One<\/a><\/em> came out. I was worried. I liked the music even less than the previous single. It was even <em>more<\/em> poppy and further away from the downbeat masterpieces on <em>I\u2019m Not Your Man<\/em>, with amusing lyrics, a fancy video and some weirdness that I just couldn\u2019t get my head around. It seemed gimmicky.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/MguqCajpVm0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-GB&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>But when it was released in August, hearing the album changed everything. It all made sense. <em>Any Human Friend<\/em> is a <strong>masterpiece<\/strong>.<\/p>\n<p>With 11 tracks spread over just 41 minutes, the album is a perfectly-sized thing that is much greater than the sum of its parts. It starts off with <em>Wanderlust<\/em>, a strange, folksy, delicate lo-fi song, somewhere between something off of <a title=\"Transgressive Records: Marika Hackman \u2014 We Slept At Last\" href=\"http:\/\/www.transgressiverecords.com\/news\/detail\/marika-hackman-we-slept-at-last-out-now\/P156\">Marika&#8217;s first album<\/a> and <a title=\"YouTube: Kathryn Williams \u2014 Leazes Park\" href=\"https:\/\/youtu.be\/vb6s_jqGVY8\">an early song by Kathryn Williams<\/a>. As it peters out, the start of <em>The One<\/em> is in perfect juxtaposition, ramping things up to its modern sound. It really works, and repeated listens reveal a depth to the song that I didn\u2019t realise was there at first. Marika has even put out a <a title=\"YouTube: Marika Hackman \u2014 The One (Live Acoustic Session) | OFFSHORE\" href=\"https:\/\/youtu.be\/aWlvVQhsf7o\">couple of<\/a> <a title=\"YouTube: Marika Hackman \u2014 the one (acoustic)\" href=\"https:\/\/youtu.be\/aXFLEIeOlZg\">acoustic versions<\/a> of the song which offer completely different perspectives, showing how good the song is.<\/p>\n<p><em>All Night<\/em> then brings things down again, with effortless vocals and a simple guitar riff quickly turning into a song that is lyrically shocking, but delicate and dreamy in its delivery. It quickly became my favourite on the album at first. It\u2019s been difficult to stop myself from singing this as I go about my day, but given the lyrics it is one to whisper in your head as opposed to sharing it with everyone around you.<\/p>\n<p><em>Blow<\/em> has a wonderful eighties-sounding synth beat to it, and a release when the chorus comes around that you didn\u2019t realise you needed until it arrives. There are echoes of <em>The One<\/em>, particularly in the backing sounds which are like <a title=\"YouTube: Roland VP-03 Choir Human Voice VP-330 Plus Synthesizer Rik Marston\" href=\"https:\/\/youtu.be\/29om68I0MX4\">the \u2018human\u2019 instrument on the old organs from the 1980s<\/a>. <em>I\u2019m Not Where You Are<\/em> follows, which again sounds so much better now that it is in the context of the album as a whole.<\/p>\n<p><em>Send My Love<\/em> is probably the highlight of the album for me after repeated listens. Forlorn and full of melancholy with a layered complexity that quickly creeps its way in from a simple start. When the song\u2019s main lyrical content is over, it has built to a grand instrumental soundscape which makes me feel that I am at the top of a hill looking at the land all around, before being stripped back to leave nothing but the strange robotic vocal chant at the end. Cleverly, the same repeated lyric that finishes the song is actually the hook of the next one, <em>Hand Solo<\/em>. I don\u2019t think I noticed it at first, and I imagine that if you have the vinyl this would be even more subtle as a flip of the record stands in between the two tracks.<\/p>\n<p><em><a title=\"YouTube: Marika Hackman \u2014 Hand Solo\" href=\"https:\/\/youtu.be\/hg2wQGicFzI\">Hand Solo<\/a><\/em> is the third single from the album and at first I thought it was going to be gimmicky (with <em>that<\/em> title) but it\u2019s actually a fantastic tune \u2014 bass-driven and thumping, again with the layers that reward repeated listens. There\u2019s an <a title=\"YouTube: Studio Milwaukee: Marika Hackman\" href=\"https:\/\/youtu.be\/ANnzaGWpQgE?t=271\">excellent live version on YouTube<\/a> that highlights just how good this song is<sup id=\"fnref-5450-1\"><a class=\"jetpack-footnote\" href=\"#fn-5450-1\">1<\/a><\/sup>. Once again, it\u2019s over as quickly as it starts.<\/p>\n<p>The echoey sound effects at the end of <em>Hand Solo<\/em> turn into the the complex opening beats of <em>Conventional Ride<\/em>, which despite its strange timing turns into a relatively straightforward song. It\u2019s good, but like all of the songs on the album it doesn\u2019t outstay its welcome before getting into a Beatle-y dreamscape finish.<\/p>\n<p><em>Come Undone<\/em> has a swagger about it which you can\u2019t help but love, with a bass riff that makes your feet want to dance. All of the elements from earlier in the album come together here, with very loud, almost grating FX-heavy guitar which gets better every time you hear it. The chorus is a real earworm; this is the other song that I found myself singing in my head.<\/p>\n<p><em>Hold On<\/em> brings something different again. It puts the brakes on, with a simple downtempo metronomic beat \u2014 at some points that is literally all you hear for a few bars \u2014 and eerie echoey vocals that are almost impossible to make out. Magnificent and beautiful.<\/p>\n<p>Despite being the title track, <em>Any Human Friend<\/em> is probably the least memorable of all the songs. It has a fresh feel to it, almost like the sound of a clear new spring day after everything that has gone before, with minimal effects and Japanese-sounding strings. It\u2019s a satisfying end.<\/p>\n<p>The lyrics throughout the album are amazing. They are extremely explicit in parts without feeling like they are there just to shock; there is always a point. I haven\u2019t yet bought a vinyl copy as it would be a rare occasion when I would be able to play it out loud; it\u2019s definitely one to enjoy with headphones on your own.<\/p>\n<p>I love this album. I\u2019ve played it so much, but still enjoyed listening to it as I wrote this post. Marika Hackman is an incredible artist. I\u2019m fortunate enough to be going to <a title=\"O2 Forum Kentish Town: Marika Hackman\" href=\"https:\/\/academymusicgroup.com\/o2forumkentishtown\/events\/1278606\/marika-hackman-tickets\">see her live in March next year<\/a>, and I can\u2019t wait to hear what she\u2019ll do next.<\/p>\n<div class=\"footnotes\">\n<hr \/>\n<ol>\n<li id=\"fn-5450-1\">From the 4:31 mark onwards.\u00a0<a href=\"#fnref-5450-1\">\u21a9<\/a><\/li>\n<\/ol>\n<\/div>\n<\/div>\n<p><span hidden class=\"__iawmlf-post-loop-links\" data-iawmlf-links=\"[{&quot;id&quot;:4462,&quot;href&quot;:&quot;http:\\\/\\\/marikahackman.com&quot;,&quot;archived_href&quot;:&quot;http:\\\/\\\/web-wp.archive.org\\\/web\\\/20251123110311\\\/http:\\\/\\\/marikahackman.com\\\/&quot;,&quot;redirect_href&quot;:&quot;&quot;,&quot;checks&quot;:[{&quot;date&quot;:&quot;2026-02-04 18:45:01&quot;,&quot;http_code&quot;:206},{&quot;date&quot;:&quot;2026-02-12 16:27:08&quot;,&quot;http_code&quot;:206},{&quot;date&quot;:&quot;2026-03-12 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It\u2019s best not to play them out loud if there are little ears around. I first heard Marika Hackman in early 2019 through my Spotify Discover Weekly playlist. I tend to stick Discover Weekly on in the background [&hellip;]<\/div>\n<\/a>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"webmentions_disabled_pings":false,"webmentions_disabled":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":{"0":"post-5450","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-music","7":"h-entry","9":"hentry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":5489,"url":"https:\/\/andrewdoran.uk\/blog\/2019\/12\/28\/a-bakers-dozen-of-the-moment\/","url_meta":{"origin":5450,"position":0},"title":"\ud83c\udfa7 A baker\u2019s dozen of the moment","author":"Andrew Doran","date":"28 December 2019","format":false,"excerpt":"I love my commute home on a Friday night. 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